Thea's competed her shootover to handstand last season; but she's never done it extremely well; and since recovering from her wrist stress fracture, has been sloppy on her high to low bar transition.
She has been turning early through the bottom with a form break and releasing with her chest out. So I thought we'd spend the time to walk it back through, from the beginning.
Thea's gotten bigger in the last 2 years and i can no longer simply hold her suspended and paused in the air by using the
typically seen spotting method (hand support on hips/waist/thigh). So I thought I'd try using a technique I'd normally do on the low bar from tap swings as part of the introduction to bails. I had never tried doing this all the way through from cast handstand, swing down, one-arm drop with pause, carry to low bar.
The great thing about this spotting technique is that It works with larger, older gymnasts (Thea's about as tall as I am now, and densely packed full of muscle) if all you want to do is a drill.
Basically, as she swings down, starting at her wrist, I slide my grip down her forearm, upperarm, over her shoulder to finally catch her under her trapezius when she's semi-inverted. My arm is buttressed like a shelf so that her body weight is stacked on top (with some of it supported by my other hand on her thigh) and I really don't have to exhaust very much of my bicep strength.
It's a little tricky at first, and I practiced a few times with her on the low bar before I took it to the high bar and from a cast handstand (and only after I made sure I understood how to get a secure hold on her did I allow her to release with the 2nd hand so that I could complete a full, simulated bail- although I'd say that carrying her to the low bar like that is not necessary).
Eventually, I'll probably hand-spot her with the more conventional method when she's comfortable and ready to release right away again (without the technical flaws and form break).