This
is the same live presentation Jeff Lulla has delivered at the USA
Gymnastics Regional and National Congresses, Gymnastics Ontario
Congress, Alberta Gymnastics Congress and at the GymCon Conference in
2014. Here, at a staff workshop hosted by Fun & Fit Gymnastics,
with club owners and staff invited from other Southern California
gymnastic clubs, Jeff explains the importance of using a progressive
curriculum and creative lesson plans built online with the Smart Moves
teaching system to make classes fun, safe and exciting.
1) The theraband is probably less abrasive on the skin than unpadded rope
2) Being elastic, the beginning gymnast cannot totally slack off, but must still work her muscles to hold her body to the bar, or she will fall away from it.
3) Even if the beginning gymnast completely lacks in physical strength- or especially if she does- she must exercise her arm strength to get back into front support; those more advanced can work on shape and technique. There's value in no-cast backhip circles- driving the shoulders back rather than the head.
I haven't tested it out yet, but I'll do so tomorrow: Seeing whether or not having the level 3s cast into hollow shape with the theraband wrapped on helps to condition them with proper resistance (the restriction the theraband places on cast height isn't that critical since there isn't a cast height requirement at level 3- just shape).
I have one pre-team kid who is just so physically weak but who so wants to become a gymnast- I think the theraband circle trainer was a great aid to her. She was kept on the bar for a longer spell than she's used to, got to experience some circling, and had a great upper-body workout just to stay on or get back on. Meanwhile, my arms were not killing me. For those like her, I'm not worried about bad shaping and muscle-memory habits by allowing them to play with this. She needs the general fitness, first and foremost; and the sense of fun and accomplishment.
Sometimes when I'm working with team developmental, I have to take a deep breath and muster patience. I have to remind myself that in the midst of trying to build discipline and cultivate a certain kind of mindset, I don't want to kill the spirit of joy and freedom of self-expression in them. Play in itself should always remain a vital component of movement exploration.
(A verse by an unknown author at the entrance of the Louisiana Children’s Museum in New Orleans)
Play doesn't end with the end of childhood. Play never stops. Just look at some of the clowning around that takes place in collegiate gymnasiums all across the country.